Hugo Graphic Design Contest

hugo billboard 150x150 Hugo Graphic Design ContestEntry deadline is 11:59 PM, PST – June 30, 2009.

Hugo Boss is asking for from fans, professionals, and students for concept ideas for its Hugo Create contest. specializes in for men and women.

The selects 10 winners from each contest round. One winner from the group will have their published in the international urban magazine, i-D. All winners receive a $500 cash award. Other winning designs will be painted on walls during the month of September.

The contest wants advertising poster designs that feature the HUGO Man bottle. The is “.” Examples for this theme are favorite holiday moments, travel locations, or outdoor activities.

hugo mag ad Hugo Graphic Design ContestAll visuals must be submitted electronically as RGB or JPEG files no larger than 500kb. , , painting, or any other medium applicable for visual design is acceptable.

The final format used to publish visuals on the Hugo Boss website is 672 pixels wide by 960 pixels high. Submissions can be in portrait or landscape orientation. If your entry is selected as a winner and is in landscape mode, you will need to turn in a version that is in portrait format.

are judged on the most daring, expressive, and clever designs. Judges will be taking into consideration the uniqueness, quality, wit, and product relevance of submissions.

The deadline for this contest round is June 30, 2009. For the official contest rules, click here. For more information, the official entry form, and other contest materials, go to the official website by clicking here.

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YouTube Shorts by Joaquin Baldwin

The National Board of , in association with the Short Film Corner and partner , welcomes you to this NFB , now in its fifth year.

Director: Joaquin Baldwin
Running : 4’06
Country: U.S.A.
Category: Drama

A voodoo doll must find the courage to save his friends from being pinned to death.

Joaquin Baldwin is an Annie Award nominee director and animator from Paraguay. Living in , he is now finishing his MFA in at . He has received over 50 for his animated films Sebastian’s Voodoo and Papiroflexia, and also several grants including the Jack Kent Cooke full Graduate Scholarship in 2006.

Papiroflexia (Spanish for “Origami”) is the animated tale of Fred, a skillful paper folder who could shape the world with his hands.

To see a higher-resolution version go to http://www.pixelnitrate.com

Created by Joaquin Baldwin at the UCLA Animation Workshop, 2007. Original Score written by Nick Fevola.

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Check Out the “Mæve” Installation…

At the , the installation connects the of the EveryVille and puts them into the larger context of content and . By placing physical on an , the visitors can explore an of projects, people and media. mæve is designed and developed by the team of the .

Mæve installation @ Venice Biennale 2008 from Maeve installation on Vimeo.

Mæve table application from Maeve installation on Vimeo.

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Yahoo! Site Explorer – Back Links

to your sites. This is  good help to see how many your site is getting.

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William McDonough: Designing Cradle to Cradle

and asks what our buildings and products would look like if designers took into account “all children, all species, for all .”

In , McDonough and Braungart argue that the conflict between industry and the environment is not an indictment of but an outgrowth of purely opportunistic . The of products and manufacturing systems growing out of the reflected the spirit of the day-and yielded a host of unintended yet tragic consequences.

“To use something as elegant as a tree. Imagine this design assignment: design something that makes oxygen, sequesters carbon, fixes nitrogen, distills water, accrues solar as fuel, makes complex sugars and food, creates microclimates, changes colors with the seasons, and self-replicates, then say why don’t we knock that down and write on it.”
- William McDonough – 2007

Today, with our growing knowledge of the living earth, design can reflect a new spirit. In fact, the authors write, when designers employ the intelligence of natural systems—the effectiveness of nutrient cycling, the abundance of the sun’s energy—they can create products, industrial systems, buildings, even regional plans that allow nature and commerce to fruitfully co-exist.

Cradle to Cradle maps the lineaments of McDonough and Braungart’s new design paradigm, offering practical steps on how to innovate within today’s economic environment. Part social history, part green business primer, part design manual, the book makes plain that the re-invention of human industry is not only within our grasp, it is our best hope for a future of sustaining .

In addition to describing the hopeful, nature-inspired design principles that are making industry both prosperous and sustainable, the book itself is a physical symbol of the changes to come. It is printed on a synthetic ‘paper,’ made from plastic resins and inorganic fillers, designed to look and feel like top quality paper while also being waterproof and rugged. And the book can be easily recycled in localities with systems to collect polypropylene, like that in yogurt containers. This ‘treeless’ book points the way toward the day when synthetic books, like many other products, can be used, recycled, and used again without losing any material quality—in cradle to cradle cycles.

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